Many of his paintings may strongly exhibit one of his influences, such as Japanese vertical layouts. She stands on a purple patterned floor, against a panelled colorful background, made up of pinks and greens and floral motifs in the central section and an oriental inspired motif in the top section. (Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt.) One of two formal portraits that Gustav Klimt made of Adele Bloch-Bauer, an important patron of the artist, is now on view at MoMA as a special long-term loan from a private collection. The Lady in Gold: The Extraordinary Tale of Gustav Klimts Masterpiece, Portrait of Adele Bloch-Bauer by Anne-Marie OConnor. Save my name, email, and website in this browser for the next time I comment. Adele Bloch-Bauer II: Beethoven Frieze: Danaë: Adele Bloch-Bauer I by Gustav Klimt took the artist a time period of 3 years to complete. All Rights Reserved. This painting was one of many which were seized by the Nazis during the war. His work became increasingly concerned with psychology and sexuality and women appear as his repeated favourite subject matter. commissioned by Ferdinand Bloch-Bauer. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, who was a wealthy industrialist who sponsored the arts and supported Gustav Klimt. He is also known for the "Portrait of Serena Lederer", "Portrait of Joseph Pembauer" and "Portrait of Frau Heymann", to name a few. The art work is made of oil and gold, on a canvas print, and it is used to display an elaborate and an ornate style or art. Reparations, Colonization, and the Return of ‘Stolen’ Art to Africa, Feast of the Rosary: Albrecht Dürer’s Masterpiece. Influences Historical Background Artist Backgroud ~Gustav Klimt ~Born on July 14th, 1862 ~In Baumgarten, near Vienna in Austria-Hungary ~Lived in Vienna, Austria ~Style: Art Noveau, Symbolism, Modern Art ~Studied at Vienna School of Arts and Crafts ~Influence: Hans Makart He also sold portraits with his brother and worked for an ear specialist making technical drawings, all of which helped Klimt develop a mastery for depicting the human form. Artwork analysis, large resolution images, user comments, interesting facts and much more. Adele Bloch-Bauer II is not the only portrait that Klimt is famous for. 3. Little children everywhere can enjoy his art in a form that is more accessible to them. The Austrian museum where they resided after the war was reluctant to return them to their rightful owners, hence a protracteâ¦ In these works he treats the human figure without shadow and heightens the lush sensuality of skin by surrounding it with areas of flat, highly ornamental, brilliantly composed areas of â¦ In the early 1900’s he took his interest in the human form, more specifically the female form, further in a series of erotic drawings of women. He continued his rebellious experimentation with his commissioned mural for the Kunsthistorisches Museum, where he represented the history of art from Egypt to the Renaissance through human female figures, rejecting any historical or allegorical pretext that would have deemed such portrayals acceptable by the establishment. Gustav Klimt's Adele Bloch-Bauer II portrait is arguably one of his more famous paintings. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, a wealthy industrialist who sponsored the arts and supported Gustav Klimt. Adele Bloch-Bauer II was the spouse of a wealthy industrialist. This may be due in part to the avant-garde style that he developed as his artistic career progressed. The family had a difficult time recovering it from the Austrian museum where it was kept and only succeeded in doing so after a lengthy court battle. From here, Klimt shed the classical pretenses for depicting the human form with propriety and began to explore themes of human desire, dreams and mortality through richly symbolic compositions which would come to define his style. After completing his studies he opened his own studio in 1883, specialising in mural paintings. Portrait of Adele Bloch-Bauer I (1907) One of the most expensive artworks ever sold, the Portrait of Adele Bloch-Bauer I is located at the Neue Galerie in New York City. Adele Bloch-Bauer II was the second portrait of Adele Bloch-Bauer painted by Gustav Klimt. His experimental methods helped to fuel the Secession in art. The story behind Portrait of Adele Bloch-Bauer I. Adele Bloch-Bauer (1881-1925) came from a wealthy Viennese Jewish family, her father was the director of the largest bank in Austria-Hungary as well as the general director of Oriental Railroads. His portrait of Adele Bloch-Bauer has even been used to make a a Barbie doll. These are definitely reminiscent of the arrangement of smaller figures in many ukiyo-e pieces. Desc: Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt.Adele Bloch-Bauer was a refined art-loving Viennese salon lady, a patron and close friend of Gustav Klimt. The sale of Adele Bloch Bauer I, Adele Bloch Bauer II and Apple Tree I to the Austrian Gallery and of Beech Forest (Birch Forest) to the Vienna City Collections by Dr. Führer, the lawyer officially assigned the task of liquidating Ferdinand Bloch-Bauer's assets between 1938 and 1945, cannot be deemed a legal transaction attributable to Ferdinand Bloch-Bauer. Portrait of Adele Bloch-Bauer II Auction: Gustav Klimt presented both the paintings of Adele Bloch-Bauer to her. In 2006 it was sold for almost $88 million, making it one of the most expensive pieces of art in the world. As a wealthy industrialist who had made his fortune in the sugar industry, he sponsored the arts and favored and supported Gustav Klimt. Upon becoming acquainted with Adele Bloch-Bauer, a wealthy society woman and hostess of a renowned Viennese Salon at the beginning of the twentieth century, one can easily understand why art and life seemed to blend together in her eyes. Required fields are marked *. Klimt enhances the subject's physical beauty with elements from the natural world, positioning them just as a Japanese artist of the time would. Others seem to seamlessly blend several artistic elements to produce a winning fusion of techniques from both Eastern and Western artists. Adele Bloch-Bauer (1881â1925) was a refined art-loving Viennese salon lady, a patron and close friend of Gustav Klimt. The two Adele Bloch-Bauer portraits perfectly capture the style of Klimt, with a personal touch and extravagant finish marking much of his best work. Adele Bloch-Bauer II (1912), a more conventional work in jewel tones, surfaced at New Yorkâs Museum of Modern Art in September 2014, as part of a long-term loan.. Tags: portrait, adele, bloch-bauer, ii All rights to paintings and other images found on PaintingValley.com are owned by their respective owners (authors, artists), and the Administration of the website doesn't bear responsibility for their use. The Bloch-Bauer family were an important contact for Klimt, financing several artworks during his career and allowing him to work without stresses from other areas of his life. A trip to Ravenna in Italy, where he encountered Byzantine art, led to his famous Gold Period. Adele Bloch-Bauer II was the second portrait of Adele Bloch-Bauer painted by Gustav Klimt. The red block at the top contrasts sharply with the final block of colour, which is rendered in purple. Although stylistically very different works, the two portraits share the same tumultuous history. Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. His portrait of Adele Bloch-Bauer has even been used to â¦ Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907.The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer , a Jewish banker and sugar producer.The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. Gustav Klimt's Adele Bloch-Bauer II portrait is arguably one of his more famous paintings. Adele Bloch-Bauer II has been exhibited at the Museum of Modern Art and the Neue Gallery in New York and now resides in the anonymous buyers private collection. While people looking at the painting will see that Adele is a beautiful woman, she is also portrayed with an element of restraint. Klimt’s first version of her portrait, Portrait of Adele Bloch-Bauer I is the epitome of his opulent Gold Period style, whereas Adele Bloch-Bauer II is a more simple, colorful oil on canvas work. 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